Good Things Come in Small Paintings

"Pink in the Park" 6x6 oil study
Sold-thank you!

Creativity is allowing yourself to make mistakes. 

Art is knowing which ones to keep. 

Scott Adams

There's so much to paint in the summer it's almost overwhelming. Painting smaller studies (like these 6x6 squares) remind me why “almost daily” painting can be so rewarding. Finding the time to paint every single day might just not be realistic in your world right now. But if you want to grow your artistic vision and skills, I think it’s extremely helpful to paint MORE than you are now.  Whatever that may be for you. 

I promise you’ll find this extra time at the easel beneficial in the long run. Here are three key reasons I think “almost daily” painting is a great goal for any artist who wants to improve:

"Redbud Rester" 6x6 oil study

I love the creative process but the reality is you’re not always going to have a stellar painting day.  In fact, you may have a disappointing painting day when you least expect it.

This can really catch you off guard.  But when this happens to me I have some sense of comfort and hope that a more successful painting may be just be around the corner--rather than weeks or months away.

Also, many artists at one time or another are challenged either by time or budget or both. Small-ish (under 8x10 let's say) paintings are not typically a significant time or monetary investment.  This doesn’t mean you have to use cheap materials for daily painting. On the contrary I prefer linen panels (Raymar), professional paints, decent brushes, etc.  I feel like I can "splurge" because I'm not using so many supplies at once. Plus, if you paint a "keeper" you'll be happy you used nicer materials.

With regard to time, it may take a few tries, but I find I can paint a 6x6 in under 120 minutes give or take. Check out Craig Nelson's excellent book: 60 minutes to Better Painting for more ideas regarding quick studies.

If you enjoy painting on a larger scale, smaller studies are also a wonderful way to “brainstorm” and have fun with paint. For example, in my light and shadow rose study today I tried some some "looser" dragged edges which I thought worked pretty well. Thanks DPW for featuring my little rose on the DPW Facebook page!

In the sparrow study, I tried a strong orange toned canvas to help give a sense of the warm August sunshine. Some of the orange bits work and some I'm not as crazy about. Still worth the test. 

I often compare painting to puzzle solving.  Painting more often allows to test a variety of solutions before you commit to a bigger canvas. For example, you could try different color strategies, take a new color for a test run, change your value key, experiment with your brushwork etc.  It’s also fun to do quick small abstracts and then scale them up--particularly small squares because they scale so easily. Happy summer painting everyone!

All That Glitters

Vienna Holiday-36x36-Oil on Canvas SOLD

Last week’s Daily Paintworks’ challenge was deceptively straightforward: Paint something in the style of a painter you admire. Several of my favorite painters came to mind immediately: Van Gogh, Matisse, Hopper, O’Keeffe, Dixon, Bonnard, Cezanne…

Then I was thinking about all the visual inspiration of the holiday season--jewel tones, golds, silvers, nature based imagery, as well as cultural symbols. That train of thought led me to Austrian art nouveau painter Gustav Klimt. Thank you to a new collector from Colorado Springs for the purchase of this!

His vibrant colors, use of flat, dazzling patterns, unique (and sometimes controversial) figural compositions are so contemporary that I have to remind myself that Klimt died before 1920.  Here’s a wonderful example of one of his gilt figures, Hope II.

For the challenge, I choose to paint an abstract and initially planned to add gold leaf which I’ve done previously in some of my abstract paintings. Instead I chose a short cut using Golden brand (I love their metallic paints) acrylic gold paint as the undertone. Not the same effect, but interesting and given gold prices, much less expensive. Then switched to oil paint for all the overall painting.

This painting is also the largest painting I’ve done for a DPW challenge, but I prefer a larger scale (this is 36x36) when I paint abstractly.  In fact, on Cybermonday I bought a new Sorg easel just for larger works. It’s due on Wednesday and I can’t wait to try it! Pics and a review to come. In the meantime, I hope the holiday season brings you much creative joy and inspiration!

P.S. Quick congrats to artist Ms. Dawn Hartigan for winning my November free fine art print contest! Be looking for another contest after the holidays.

Spot On Color

"Seeing Spots" oil on canvas 11x14

I had such a fantastic time painting the colorful pinto horse a few days ago, I decided to paint an appaloosa. I love working with patterns and textures when I paint animals. This time I chose a higher key and added more surface texture. In this case, I used a painting knife along with the brushwork. I really had to stop myself from painting more leopard pattern spots--it's rather addictive.

My color selection for this painting was a few more pigments than I typically use, but still fairly limited. Also, I'm sometimes I asked about my preference for paint brands. I've tested almost every brand over many years so on a palette like this it's not unusual that each of these is a different brand. This doesn't make replacing your colors very practical though, so you may want to pick a few favorites and stick with those.

Permalba White, Indian Yellow, Trans Red Oxide, Perm Rose, Aliz Crimson, Ultra Blue, Thalo Blue, Yellow Green and small amount of Ivory Black.

Also, quick note about black since I'm often asked about that as well. Personally, I don't usually use black but I find myself using it sometimes and in moderation when I paint animals. Like many artists, I work with ivory black as a very dark neutral blue. And I usually mix black with another pigment help warm it up such as a touch of Alizarin or Red Oxide.


I don't know about you but I always think of colorful or patterned equines such as palominos, pintos (paints), and appaloosas being featured in Native American or Western art work, but in doing some research, I came across this interesting 17th century Flemish painting by Meulen of Louis XIV riding an appaloosa. In fact, artists have been depicting spotted horses in art since the 11 century.

This image is in the public domain because its copyright has expired.

So my painting challenge to you today is a patterned animal--have fun and see you in the studio! For more info about my classes, please click on my class link at the top.