I'm Positive About Negative Painting

Watercolor and gouache on YUPO paper 9x12

“We can complain because rose bushes have thorns, or rejoice because thorn bushes have roses.”
― Abraham Lincoln

Next week I’m excited and honored to be doing a YUPO painting demo for an art club in the area. In preparation, I painted this little abstracted garden this morning using transparent watercolors, opaque gouache and a 9x12 YUPO pad.

Here’s what I started with—basically a wet in wet abstract watercolor which I let dry overnight. So you’ve got an interesting base painting like this, then what? Could you leave this as a more abstract painting? Of course. But I like options...

Shape "hunting" with watercolor pencil on the original painting.

As an artist who paints in both oil and watermedia I can’t imagine not having negative painting as a key option and skills. So I wanted to share 5 negative painting tips that I hope will help you the next time you face a painting challenge.

1. Consider the power of your mind’s eye. We need to be skilled shape makers and finders as painters. Negative painting fine tunes these abilities. In other words, what do you see in those big blobs of paint? A figure? A tree? An octopus? Keep looking…..And enjoy the process.
2. Want to push your more non-objective abstract painting over to a more representational painting? Negative painting helps you modify what you already have like I did today. It’s also a great way to “fix” or “salvage” a so-so painting you might have in the studio.(Don't we all have a few of those??)
3. If and when you negative paint over an existing background don’t be shy. Consider a bold value contrast that will really “pop” your image. For example, try black (or near black) over a very light painting or light negative painting around darker shapes.  Along the same lines if your base painting is very high chroma try a more neutral negative painting again for contrast.
4. If you enjoy painting nature and organic subjects like I do I think negative painting often looks less forced and more natural than positive painting.  That doesn’t mean you can’t paint any branches positively but consider using more interesting negative shapes as well—such as sky holes.
5. Take your time. Don’t rush negative painting if you’re not used to it. If you need to use a non-permanent light drawing tool (i.e. pastel pencil, watercolor pencil, soluble graphite, etc.) to help you find the shapes before you commit to paint.

P.S. If you want to improve your watercolor negative painting skills check out Linda Kemp's Painting Outside the Lines. She also has some videos on Artist TV Network.

Three Birds. Many Lessons.

Snowy Junco 8x10 oil on cotton canvas panel

One of my goals in early Jan was to start the year off by participating in Leslie Saeta’s painting challenge. But due to travel and other conflicts this month it was not to be. A big kudos though to all of you who did participate—I greatly missed the camaraderie and look forward to the next one. 

My return to the easel was challenging--For most of the month I had “polar vortex” bronchitis that just wouldn’t budge. The reality of being a “dedicated” artist is that you may sometimes paint in less than ideal conditions. When this happens, or you have limited time, I recommend keeping everything as simple as possible. 

Cheery Chickadee 8x8 oil on Raymar linen panel

Bird no. 1: Cheerful Chickadee

For me this meant a small (8x8 square), limited palette, and enjoyable subject matter. This cheerful chickadee is not bad for a quick study but I can tell I’m not 100%. (That’s a nice way of saying I was coughing so violently that the brush was hard to hold on to at times.) That being said I believe every painting provides us with valuable self-instruction.

Rosy Robin 8x10 oil on Ampersand Gesso panel

Bird no 2: High Key Robin

Moving on the next day for my robin painting, I chose a slightly larger (8x10 Ampersand gesso board) and somewhat more complicated high key value structure. You just don’t have the bold value contrast that can hold a painting together. So again with my robin painting a perfectly respectable study but I think I can improve on the composition, shape interest, edgework, etc.

Bird no. 3: Snowy Junco

In today's post you can see the junco has (in my opinion) more interesting shapes and paint quality ans well as better color harmony. It’s not a perfect bird painting by any means but I think it’s going in the right direction.  Best of all, I feel much better and am not starting February cold--no pun intended. Happy winter painting everyone!

P.S. I'm usually painting during foot ball season but but this Sunday as a proud Denverite I have to say Go Broncos!

Horsing Around: Soukup Demo

Art Jill Soukup demonstrates her approach to painting a buffalo in oil.

Thankfully, I’m back in the studio and feeling fantastic after some travel and being quite under the weather from said travel.  I always miss being away from my easel (it’s my anchor) jumping back in to studio work can be like diving into icy pond. 

This past weekend though I got an almost instant energy and inspiration boost from attending a demo by one of my all-time favorite painters.

If you’re lucky during your art life you discover other “aspiration artists.” These artists can really help keep you motivated. You just know this will be an artist you’ll happily follow for years to come. You can’t wait to see their next show and what they’re working on.

For me that artist is Denver representational oil painter Jill Soukup known for her fantastic equine paintings as well as her buffalos and urban scenes.  (I’ve been lucky enough to take a few classes with Jill and she’s also a talented and insightful instructor.)

Jill Soukup Equine Painting

Over this past weekend, I attended Jill’s demo at Saks Gallery in Denver where she currently has a nearly sold out one woman show.  (As nice as the paintings look on camera, they are even more impressive in person.)

Her demos are always fascinating--She often layers the paint (for example an earthy yellow green over a warm dull orange red) using a variety of tools including hefty well-worn brushes, large hardware style putty knives, etc. 

Jill "drags" a cooler cool blue over a warmer area with a putty knife.

Jill's brushes (many large or with very long handles) and other painting tools.

Interestingly, as you can see, Jill uses a variety of references for her paintings: A photo with more detail in the lights, one for the darks, a black/white value photo and sometimes several small color thumbnails where she tries different color options. In this case, she had decided to push the greens in the background of this wonderful buffalo portrait.

Detail of buffalo side of head--note the large textural planes of oil paint.

Jill Soukup oil painting palette--When asked she said her favorite color is that yellow green.

Finally, I'll be back soon with some abstracts I've been working on for Leslie's 30 in 30 January Challenge. Yes, I know only 7 days to go but better late than never!

Passport to Winter

"Bear Creek Tree Study" oil on canvas 8x8

Click to Bid on DPW--Thanks!

I prefer winter and fall, when you feel the bone structure of the landscape. 
Something waits beneath it; the whole story doesn't show.

Andrew Wyeth

Happy Holidays and Winter Solstice Everyone!  Whew it’s been an exciting and hectic December which included completing and delivering a large commission (yay), a consulting project (yay again), and unfortunately a few days of being under the weather with a cold weather bug (which sounds a lot cuter than having it.)

This week though the sun returned (Wed. it was almost 70 degrees!) and that helped me quick recover and get back to teaching and painting—my two favorite things.

I also took some time out of holiday shopping to meet up with some fellow artists to see the beautiful “Passport to Paris” show at the Denver Art Museum which included 125 paintings from dozens of French masters painters.

The evolution of subject matter and style from pre French Revolution to the turn of the 20th Century was fascinating.  I particularly enjoyed the colors in these two works by Tissot and Sisley.

"The Fan" by James Tissot  1875

"The Pike" by Alfred Sisley 188

The show (as well as the Winter Solstice today) inspired me to paint a small snowscape study. After working on four 40x30 paintings I was really looking forward to painting a more manageable quick daily painting like my posting today. Looking for more winter art ideas and inspiration? Visit my Pinterest Winter's Wonderland board. Thanks and have a colorful first week of winter everyone!

Painting Around in Circles

Commission in progress 30x40 oil on canvas

Happy December everyone! This past weekend we had some nice sunny weather but tonight we’ve have an arctic cold front moving in.  As much as I’d like to get some holiday shopping done this frigid weather sounds ideal for putting finishing touches on this autumn inspired commission painting.

This is panel 2 of 3. Each “panel” is 30x40 and these have been a joy to work on—I’ve especially enjoy mixing the colors. Speaking of color, I decided to change up my color mixing routine (and when I say routine I mean like 20+ years!) for this series.

Quite simply (and intuitively) I switched to a larger circular palette. Technically I drew a large circle on a rectangular foam core board covered with plastic (paint drop cloth from Home Depot). You could also use a pizza pan or cut something into a large circle. I plan to have some foam core cut into a circle and use a large pizza box for the cover. This should work quite well.

I've used a circular palette before (the Quiller is one of my favorites for watercolor)  but like many artists for oils I’ve usually used the standard rectangle 12x16 plastic covered palette. Which is handy for pets, classes, etc. Even my small handheld palette for figure painting was a rectangle.

But I’ve found mixing in a circle even easier- I can see why it’s the preference for many artists. It feels very organic and natural. Plus, mixing color complements across the wheel is a snap. 

Since white is not one the color wheel, I’ve been putting the white sometimes in the middle and sometimes to the side. Both seem to work fine. So if you haven't painted in a circle give it a try and let me know what you think!

Before I go: Special thanks this time of year to my collectors and of course my students who continue to paint with me during a busy season.  Wishing you all a happy and colorful holiday season!

20 "Gotta Have It" Art Studio Tools

Got tabby? Always.

Happy Friday everyone! Recently AHA featured a podcast about "favorite artists products”—(I don’t know about you but I really love these “checklist”shows.) This show inspired me to look around the studio and share my own “must have” studio stuff.

These are “tried and true” tools (rather than brushes, knives, and paint) I keep near my easel and use almost every day. Most are fairly inexpensive and low tech. With a few exceptions...

My iPad is a splurge but honestly, it’s changed my art life. So here are 20 items that I at least for me make my creative life a little easier and more enjoyable--hope they help make your art life a breeze too!

1. iPad—holds my reference photos, paint from it, crop, watch art demos...
2. Joby iPad holder (Note this one is for original iPad)
3. Crank easels (old, new—Don’t get me started on the ratchet or sliding kind.)
4. Gray palette paper (like the mid tone and don’t care for glass)
5. Mini plastic spring clamps (assorted sizes)
6. Green Frog tape (varies widths—it’s a ruler on a roll!)
7. Large and small T-Square and rulers (great for quick canvas or paper gridding)
8. Saral transfer paper—especially the white/yellow—Just comes in handy
9. Big Sharpie and Post it Note Pad (good for supply notes, title ideas, etc.)
10. Rolling red taboret cart from Harbor Freight (see my post on taborets)
11. Red plastic value sheets (red acetate from art store)
12. Foam plates and foam brushes
13. Good old Kemper Wipe Out Tool (or similar)
14. Round grippy rubber jar opener (from dollar store, hardware, etc.)
15. Adjustable height rolling drafting chair (no arms)
16. Paper towels: Bounty (watermedia) and Viva (oil media)
17. Hand creams (Aveda, Skin Safer, and my new fav: Desert Essence Vanilla Chai--yummy!)
18. Winsor Newton Brush Cleaner (non toxic but powerful)
19. Old mats/frames for checking composition
20. And most importantly...A studio manager/muse. Mine are always striped and furry. 

Thanks to everyone who stopped by to check out the paintings from my YUPO workshop--Plan to post more YUPO paintings soon but this week I'm working on a large 3 panel oil painting commission. So I better grab some of these tools and get back to work!

Flying High with YUPO + Birds!

"Groovy Bird" watercolor and gouache on YUPO (9x12)--collection artist

I had a fantastic Saturday yesterday thanks to all the creative artists who attended my YUPO/bird painting workshop. Thank you again to the Heritage Fine Arts Guild for inviting me to share my passion for YUPO painting -as well as birds! A perfect painting match IMHO!

Much like my YUPO painting above, the workshop artists began with an abstract background using watercolors to which we added texture (stamping, stencils, lifting, salt, etc.). Many of the artists then worked their bird painting into their abstract painting. (I plan to post a step by step demo on this technique soon.)

Artist Sue rolled black gouache around her rooster shape--Love the colors and texture!

How sweet is this colorful hummingbird??

Beatrice working on her lovely snowy cardinal.

Since YUPO is "erasable" your subject can be developed using a positive or negative approach which yields really cool and unique effects. At the end of workshop we had at least 20 great paintings to show for our hard work. I wish I could post every one but here are just a few of the inspirational paintings that took flight! Awesome work ladies!

Great example of abstract with representational component. 

Anita added colorful leaf printing (from real ones) to her vibrant rooster--which looks great on YUPO!

A lovely jay on a really high energy background.

A gorgeous owl in progress--love all the color splatter!

Beautiful cool colors in Amber's abstract and texture painting.

My sincere thanks again ladies (guys you'd enjoy YUPO too!) for sharing your creative time with me on a Saturday!! I know your paintings will help to inspire other artists (as they did me) to give YUPO a try (or another chance!) the next time you want to "play" or just re-energize!