Let Them Paint Cake!

Buttercream Dreams--9x12--Acrylic on Canvas-SOLD

Today's Painting
Mmm...Cake. I've had some very positive feedback about my colorful red velvet cake piece  that I painted earlier this year with the slower drying Golden Open Acrylic paints. This painting is part of a set for a commission.  For me, if I had to pick a favorite dessert, it's probably cake so this is certainly a painless  subject to research. Plus, I find it very energizing to paint graphically with bold shapes and unusual color pairings like many of the contemporary pop artists such as Wayne Thiebaud.  

Colorful Connections Turns 2!
Before I forget, I wanted to quickly celebrate my 200th posting or what is basically my two year blogging anniversary.  Woohoo--Very exciting--So many thanks to all my visitors, students, and followers.I can honestly say that blogging about my teaching and painting has changed my art career as I'm sure it has for many artists. So again, my sincere thanks!

Cherry Creek Arts Festival This Weekend-July 2, 3, & 4, 2011
I feel very lucky to be able to walk to one of the premium art fairs in the country each 4th of July weekend. I don't think I've ever missed a year.  Each year the festival receives over 2,000 applications so as an artist it's fascinating to see the 230 artists selected. Like many artists in the Denver area, it's one of my top art goals to be in this show. Until then, I'm happy to be a spectator and speaking of food, be sure to check out the free culinary demos--it's one of my favorite breaks between art ogling.

Primarily Birding

"Primary Sparrow" 6x6 oil on panel

Happy Weekend all! Yesterday Carol posted a wonderful color painting challenge on DPW. I decided I would try a bird study with the three primaries and white. So for this sparrow painting, I used Ultramarine Blue, Alizarin Crimson, Cad. Yellow Light and Permalba for my white. (This little guy was outside my kitchen window earlier this week in my thorny pyracanthus.) FYI, here's my limited primary palette which I set out roughly as a color wheel which was very helpful for mixing, as is the gray palette paper.

Oil Palette with 3 Primaries + White

I always enjoy bird watching in my own backyard, but early this morning I joined a small group of fellow bird watchers in Washington Park in Central Denver near my home in hopes of spotting something a bit more exotic. Am happy to report with the help of Candice from the Wild Bird Center of Denver, I saw my first downy woodpecker pair, a golden rumped warbler (awesome name), and what I believe is an American Wigeon (seen below). Not that I don't like mallards and Canadian geese, but was very excited to see a different water fowl by the boathouse. 

My first wigeon!

Quick reminder that you can still bid on hundreds of gorgeous paintings DPW Help Japan Auction. Many paintings (including my own "Colorful Kimono" watercolor) have very reasonable starting bids with all the proceeds going to help organizations like the Red Cross. Many, many thanks to my current high bidder for your support!

Ampersands of Time

Happy Monday everyone! Lately, I felt it was time to push myself to do a larger, more expressive and graphic non-representational painting. So over the weekend I bought a 3 foot by 4 foot gallery wrap canvas and which lurked liked a big white wall for a few hours. For me the best way to get started is to just dive in and start making marks--working with line and mass (more sold shapes).  I also used acrylic paint here so I could quickly stamp into areas, collage, etc.

Painting Detail

I always enjoy incorporating symbols, gylphs, words, letters, numbers, etc. into my art. In this piece, I wanted to include two of my favorite symbols: the ampersand and asterisk (which derives from the Latin for little star).
I read that asterisks where originally used to denote birth dates in family trees and the ampersand is an ancient symbol dating back to the first century.  It represents the written Latin "et" meaning "and" as you might have guessed. 

Since I was thinking about words and how they relate to art, I thought it would be fun to write a haiku (a traditional Japanese poetry form that follows the 5/7/5 syllable format) about painting abstractly. (I'm a former English major, but my poetry writing is a bit rusty, but here goes...)

Paint marks on canvas
Letters value hue collide
Whatever you have


White wall towers empty
Brushes tell a story
Colors sing in harmony


Colors swim below
Shapes emerge born of shadow
Brushes reach the sky

For those of you who paint on large surfaces you know how freeing this can be.  While I think I've still got a few adjustments to make, this was one of the most enjoyable pieces I've worked on recently.  Quick welcome and thanks to my new March students, as always I look forward to helping you reach your art goals while enjoying the process along the way!

Rosy Winter

Hi Everyone--happy Wednesday! This little 8 x10 oil painting fresh off the easel was inspired by a snowy day and having "paint a floral in oils" on my studio to do list for the week. These are my roses and a few marigolds for pops of cadmium yellow. I'd like to take credit for growing them but frankly, as I think I've noted before,  I'm not much of a gardener. I just love to paint flowers. Thankfully, the previous home owner had a small rose garden that continues to flourish despite my thorny inheritance. 

The dark vase has an almost metallic navy glaze which was a fun challenge to capture in paint and was created by a wonderful potter in my neighborhood. I snapped this picture back in early October and put it away for a snowy, less colorful day just like today.

This painting was also inspired by watching and episode of Passport and Palette on Create TV the other day with Kevin MacPherson. If you enjoy plein air painting, or just want to get a sense of it while staying warm on your sofa, I highly recommend the program. 

In this particular episode, Kevin painted a wonderful landscape study of a snowy river bank near Taos over an older canvas he'd previously employed as a palette. In the process, he let the old, scraped off colors work for him in the new painting as interesting and unexpected pops of color. I've used this "method" before, but not recently, so this morning thought it would be a perfect technique for a floral study like this one.

Hi to all my fantastic new January students--It's been great to meet you and see what you're working on and what you aspire to. I hope you will all enjoy painting for the rest of your life as I do. And many thanks to everyone who has contacted me recently about classes--I know my teaching schedule is getting very full this time of year, so I appreciate your patience and I promise we'll get you in the studio soon!

Finally, as many of you know, this is also the time of year that the blog community likes to share goals for the upcoming year. So, speaking of plein air painting, one of my 2011 art goals is to paint at least once a month outside. Can't promise I'll venture out in January, but hopefully we'll have a more temperate day before the end of the month. And if not, I will at least head out with my camera for lots of snowy landscape reference photos when I'm painting this July.

 

Even Moore Inspiration

Normally, I'd be posting a painting. But last week, I finally had a chance to check off one of my "summer art must dos" that was a visit to the Henry Moore sculpture exhibit at our Denver Botanic Gardens and I just had to post a couple of pics from my visit.  

This unique art exhibit (which runs through January 2011) includes 20 bronze and marble sculptures at both the downtown Denver and suburban Chatfield locations.  As an artist, I'm always considering proportion and scale, so it was fascinating to experience three dimensional creations that tower over 10 feet tall and weigh more than a ton particularly outside a more conventional museum setting. 

As many of you may know, Moore was a highly-acclaimed British sculpture born in the late 1800s and known for his large scale curvilinear abstracted works some figural, some less so. To me the massive sculptures seemed completely at peace even along side the most delicate flora. I think Mr. Moore would have been quite pleased with the setting. Above you can see one of my favorites--a wonderful turquoise sculpture rising out of the lily ponds like a stretching water beast of some sort.

I also love circles and spirals so another one of my Moore favorites was this "Figure 8" shaped dark bronze piece that created a wonderful organic frame for a more formal area. While I didn't have time to sketch, I did take many photos and am planning to integrate many of the shapes into a future abstract work. Simply by  taking photos of the sculptures, I was reminded of just how much we can learn from art forms outside our creative comfort zones.

Before I go, quick welcome and thanks to some new students: Kathleen, Monique, and John. I've enjoyed working with all of you and look forward to more fall painting projects. For class info, please write to me, click on the class link on the upper right, or search for Scarlet Owl in TeachStreet. Thanks for checking in an and have a wonderfully creative week!