Showing posts with label oil painters america. Show all posts
Showing posts with label oil painters america. Show all posts

Monday, October 22, 2012

OPA Master Jeff Legg Still Life Demo



"Botanic Bulb" 8x8 oil on gallery canvas--On Hold for November Show
Save the Date! Spirits Bright Show: Friday, November 30
I'm pleased to announce my next art show "Spirits Bright" which will open November 30 at the 910 Events Center Gallery in the Denver Art District on Santa Fe. I also plan to be in attendance for First Friday Art Night on December 7. Everyone is invited and I look forward to seeing you in person!

Jeff Legg: A Classic Approach to Still Life
As much as I love to stay in and paint or read a good art book by a cozy fire on gray, chilly days sometimes you just need to get out and see in person what other artists are up to. As I mentioned in a previous post, a couple of weeks ago on an overcast Saturday I had the pleasure of watching three master oil painters demo at Gallery 1261 in Denver: Jeff Legg (still life), Theresa Vito (portrait), and Quang Ho (clothed figure). I enjoyed each demo and will post my pics of all of these as I have some extra time. I was a bit under the weather with my injured foot--so I didn't take a ton of notes but I hope you'll enjoy the demo pics.

The audience at Gallery 1261 watches as Jeff Legg begins his demo
I'll start with Jeff Legg who a Master Signature Member of OPA, is often featured in magazines, and known his "old masters" approach to his subjects. I also saw on Jeff's website that he has a new teaching video a similar setup as well as workshop info for those of you interested in seeing more of his technique.
Legg uses a draped "black box" to help control his light condtions

Jeff Legg begins his tonal still life block in
Artist Jeff Legg started the day off by painting a “traditional” still life which you can see was set against a dark background lit with a single dramatic light source. He began as you can see with an umber toned board which makes sense with this strong light and shadow approach.  I’ve always admired how skilled still life painters are masters at capturing a variety of textures—the brass pot vs. a cantaloupe for example.You can see Mr. Legg's beautiful finished still life here.

Jeff Legg still life setup--detail of melon slice an vase
Legg adding more color and thicker paint to his subjects

For this demo, Legg used quicker drying alkyd oil paints
Legg demo "final" after about 2 hours
For more tips about setting up a successful still life, check out this helpful post by artist Lori McNee.

Wednesday, October 10, 2012

Look on the Bright Side

"Look on the Bright Side" 8x8 oil on canvas  

 (On hold for gallery event in November.)

Imagine all the people living life in peace.
You may say I'm a dreamer, but I'm not the only one.
I hope someday you'll join us, and the world will be as one. 

As some of you know, I sometimes look to Beatles lyrics for my paintings titles and inspiration so I wanted to note John Lennon’s birthday yesterday. Also the most enjoyable art event I've ever took part in was a John Lennon birthday gathering so October 9 holds a special place for me. 

Because I’ve been so busy painting for an upcoming show and nursing my foot injury that I’ve missed the last few DPW painting challenges which I love to do.  But, I couldn’t pass up this week’s challenge posted by one of my favorite DPW artists talented watercolorist Jo Mackenzie—Emotion was the theme. If you check out Jo's blog you'll see she was kind enough to answer my "what's on your palette" question for all my watercolor students and fans out there.

I started a mostly green abstract (since that’s probably my favorite color family) with the idea of envy—which I think is a fairly common emotion in the art world.  But then I remembered this strong light and shadow sunflower I had in my paintings “to do” queue which I’d really been looking forward to since sunflowers always cheer me.

Also, since my last painting had more of an autumn palette it was fun to return to some brighter, more summery hues.  Quick color tip: You know how you change out your wardrobe colors when the seasons change? I tend to do the same with my pigments. For example, my “fall” palette tends to have more earthy richer pigments like ochres (yellow and red), indian yellow and red, crimson, violet, etc. 

Last Saturday, I managed to hobble on downtown and got to see an amazing line up of three master oil painting demos at Gallery 1261 which is currently hosting a gorgeous Western Regional OPA show. Jeff Legg, Theresa Vito, and Quang Ho demoed a still life, portrait, and figure respectively.  It made for a long day (almost 8 hours) but  it was highly informative and enjoyable. Plus, I had the pleasure of meeting several of the artists in the show. I’ll have some pics and thoughts on that to post soon.  In the meantime, time for some hot cocoa and more painting.  In the meantime keep imagining!