Building on Color (Jon Redmond Talk Notes)

Park Caretaker's House Study-9x12 oil on linen-SOLD

Happy Challenge Day 6: Isn’t it interesting to meet an artist you’ve admired “from a far?” Sunday I went to a fantastic talk by Pennsylvania painter  Jon Redmond who was in Boulder teaching a workshop (which I unfortunately couldn’t attend but am guessing students are greatly enjoying this week.)

Redmond’s oil paintings have a beautiful sense of light, simplicity and texture. If you have Al Gury’s  book “Alla Prima” you’ll find this beautiful minty green claw foot tub painting on the back cover.

Jon Redmond Tub Painting 

Redmond explained this tub was in an old building which had seen many renovations. While I enjoy organic subjects, I’m often intrigued by painting that explore the mystery of place like this. You can find some great examples his paintings (which include a variety of subjects) and a detailed interview with Redmond here.

Inspired by Redmond's sunlit building paintings, I decided to post one of my Hopper inspired paintings. I find light falling on structures like this gorgeous white house very captivating. Redmond said he enjoys painting windows especially bay windows. Speaking of white, he also mentioned he looks to black and white films for visual inspiration which makes perfect sense from a shape/value standpoint.

Redmond White House Oil Painting

I'm not a "light" traveler, so I’m always fascinated by compact lightweight painting kits. Redmond's fit into a small backpack (so he could easily bike to locations). It included: a compact camp chair (he paints seated), a trim folding panel holder/palette (think wooden laptop), his paints, (here’s his suggested color palette for another class), brushes with sharpened ends (so you can stick into the ground!) and an interesting pottery “scraping” rubber tool. 


Redmond also mentioned that he sometimes paints on frosted Mylar (in addition to a traditional gessoed panel) and I’m very interested to try this surface soon. 

Painting in Perfect Harmony

First my thanks to both Colorado's Louisville Art Association (LAA) as well as the Brighton Cultural Arts Commission for asking me to have a workshop and give a talk this past week. Both groups were so welcoming! One of the best parts of my "job" is meeting new artists, sharing tips and my personal art experience. Thank you again!

LAA painters enjoying some exercises at my Intro to Daily Painting Workshop

One of the aspects of daily painting that I discussed last week was working with a limited palette so I thought I'd share that info here with you. For example, with all those wonderful and tempting paint colors at the art store why work with a limited oil paint palette?

Quick note: “Limited” is a relative term. To some, less than 20 tubes may feel restricted but in general it’s 7 pigments or less. Here's a fairly versatile limited palette I've seen other daily painters use: Ultra. Blue, Aliz. Crimson, Cad. Yellow Light+ White


10 Benefits of a Limited Painting Palette

1. Simplifies overall process of painting so you’ll likely paint more
2. Mixed secondary colors and earth colors (greens, violets, oranges, browns, blacks) will often look more natural and interesting than a tube green for example (Tip: Pre mix your secondaries before painting if you feel your colors are limited.)
3. Easier to achieve color harmonies (colors will naturally all relate to each other)
4. Tends to look more natural for well natural and organic subjects
5. Faster way to paint—less mixing choices means fewer decisions
6. You can give more attention to your shapes and values
7. Easier to get “cleaner” mixes (2 colors for example) if that’s what your after—you may be tempted to use “extra” colors that aren’t really necessary for your painting
8. You’ll “get to know “ your pigments much faster (juggling just 3 balls vs. 12)
9. You’ll likely start finding what colors you really need (for your style) and what you don’t
10. Much less paint to buy, store, carry, etc.

When would you want to add extra pigments?

• You need a specialty primary color such as “hot pink” Permanent Rose or Opera 
• Time constraint—Where "convenience” colors (viridian outdoors) are handy
• Your painting calls for lots of pure color notes and/or man made objects (lots of colored costumes for example)
• You need a variety of transparent as well as opaque pigments for a particular painting technique (glazing for example)
• You're stuck in a color formula rut for things like shadows, skies, etc.

If you love color like I do and want to learn more, I'm giving a mini workshop (color talk/demo) at Blackridge Artists School on Saturday, September 24.  You can find more info here.

Winter. Spring. Summer. Pumpkin....

Looking forward to painting these colorful farmer's market pumpkins...

Oh how we love pumpkin season. Winter, Spring, Summer, Pumpkin.... 
We anxiously anticipate it every year. Trader Joe’s Fearless Flyer

Happy Fall Friday! I too love the pumpkin season. Am often stocking up at TJ’s so I can enjoy gluten free pumpkin pancakes and muffins year round. Am also eagerly anticipating making my own favorite pie recipe next week: "Santa Fe" Pumpkin Chiffon: Chocolate crust, spicy pecan sprinkle and tequila cinnamon whipped cream...I know. Yum...

Now back to art. Thanks to all the talented artists who joined me for an adventurous mixed media workshop last Saturday! Also special thanks to everyone who supported local artists at the Park Hill Art Club Fall Show last weekend. I sold several recent posted paintings such as my sunlit horse and VW bug--Thank you very much buyers!

A busy art season continues tomorrow where I’m back at Curtis Art Center teaching a one day Artfully Autumn Painting workshop.  Am excited to help students with some of my favorite colorful subjects like owls, ravens, autumn leaves, pumpkins, gourds, vines, etc.

Last Friday I visited the fascinating Wyeth show at the DAM which featured the families' love of pumpkins, Halloween and other spooky subject matter.  

"Pumpkinhead" Self Portrait by Jamie Wyeth

 

Loved this giant looming raven painting by Jamie Wyeth.

As I look out the studio window today I can see winter looming. But that's OK. Colder weather means I can really get cozy and focus on studio or class painting and build my inventory for the warmer months. If you're looking to stay creatively active this winter come join me and my awesome students in one of my Denver painting group classes I offer on Tues, Wed, or Thurs mornings. We'd love to meet you! For more info please write to me or visit my classes page on my website. Thanks everyone!

Painting in the Heart of Autumn

"Sunny Bug" 8x10 oil on linen pane--SOLD---Thank you!

I love when other artists take the time to review a painting workshop they've taken or demo they've attended so I promise I will post my review of  Peggi Kroll Roberts' workshop soon. Spoiler alert (and probably no surprise to many of you): It was phenomenal from start to finish!

Since I took two "light and shadow" workshops (see Tim Horn in previous post) back to back I've been considering at a wider variety of subjects such as this cute but rusty VW bug parked outside one of my classrooms. (My first car was a burgundy VW Rabbit that barely survived the 1,269 mile road trip to Denver long, long ago so also I have a soft spot for vintage VWs.)

October is flying by so I quickly wanted to share a few November events coming soon! 

2 Fall Weekend Workshops @ Curtis Arts Center in Greenwood Village, CO
I rarely teach on the weekends but I’m offering 2 fun Saturday workshops—Fall Colors (any painting media) and Mixed Media. Please visit my website class page or email me for more info.

Silent Art Auction & Reception: Nov. 7
Curtis Arts Center is also hosting their annual Silent Fine Art Auction on SAT. Nov. 7 from 6P to 8P where collectors can bid on affordable fine art from instructors, students and other artists in the area. 

Park Hill Art Club Fall Art Show and Sale: Nov. 13-15
This popular 3 day art sale features a huge variety of art (bin and framed) from hundreds of members and instructors (include myself). Please visit the PHAC site for more info. Original art makes a unique and personal holiday gift!

November "Daily Painting" Class: Tuesday AM from 9A to Noon 
This is casual open studio where I work with each student at their own level in oil or acrylic painting. At Blackridge Artists School. Be sure to also check their upcoming workshops!

Many thanks to my all my hard working fall students and wishing you all a colorful and creative autumn week!

Seeking Autumn Colors

"Rainbow Rooster" 8x10 oil on gessoboard--SOLD--Thank you!

Delicious autumn!

My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns. George Eliot

Happy weekend everyone! Gorgeous early fall weather in Denver and having a wonderful time teaching two new painting classes in Denver at Blackridge ArtistsSchool (check out their fantastic "big names" workshop schedule) and Park Hill Art Club.

I also attended several art events this week which means I’ve had the pleasure of meeting at least 30 new artists! (Denver is an amazingly creative area!) Thank you again new and continuing students for your support and interest this fall!

Speaking of being "out and about" next Tues. morning on Sept. 22 I’ll be doing a demo at Blackridge of one of my favorite “layered” oil painting techniques which I employed in this colorful rooster daily painting today. That’s the “wet in wet” opaque pigments over the transparent block in. For more info about this demo please feel free to email me. I think I'll paint something with feathers...but we'll see!

This painting process may not sound that interesting on paper but it’s what creates the glowing color and often pleasant surprises.  It's a great match for florals and feathers! As many of you may know this is the approach used by artists such as Dreama Tolle Perry, Nancy Medina, Hedi  Moran, and Mary Maxam just to name a few. 

Thanks--Enjoy the rest of your weekend and all the deliciousness that is early autumn!

Explore. Dream. Discover. Paint….

"Blue Nutty" 6x6 oil on linen panel SOLD Thank you!

"Twenty years from now you will be more disappointed by the things you didn’t do than by the ones you did do. 

Sail away from the safe harbor. Catch the trade winds in your sails. 

Explore. Dream. Discover.’  

Mark Twain

Happy Monday everyone!  I think one of the best things about "almost" daily painting is the “Why not? Let’s give it try!” approach you can have each day in the studio.

Lately, I’ve been gravitating toward some bold graphic looking art and thought painting on a black background (black toned canvas in this case) would be perfect for this. Also, since I often favor such bright intense colors (as you may have noticed!) the black acts as a striking dark neutral balance.

Want to see more examples? Daily painters who do a marvelous job at this are Karin Jurick and Cathleen Rehfied. Carol, a student in my class last week, also painted an exciting abstract on a black canvas.

In today’s little nuthatch (one of my favorite backyard bird models) oil painting I’ve used a 6x6 Raymar linen panel primed with black acrylic gesso then sketched with white pencil (note white chalk would work as well.) I loved the effect and will definitely add this to my daily "bag of tricks" and try again soon. In the meantime, I hope you enjoy your own creative exploring, dreaming and discovering…

Denver Fall Painting Classes & Workshops
Since my Thursday AM class “sold out” so quickly (thanks again painters!) I’m planning to announce another weekly painting class soon. Probably on Tuesday afternoons so please stayed tuned for that.

Also I’ve added 2 weekend painting workshops for this November. For more info about these please go to my Denver art classes info page on my website. Or feel free to write to me directly. Thanks and happy painting!

Daily Painting by the Book

Exercise from Oil Painting: The Workshop Experience 6x8 oil on panel

 A book is a garden, an orchard, a storehouse, a party, a company by the way, a counselor, a multitude of counselors. (Charles Baudelaire)

Happy August Friday everyone!  Busy working on some small commissions and getting ready to teach my “almost” daily painting (DP) class which starts next Wednesday. I’ve been looking forward to this class all year!

I’m also teaching another DP class in September which I’m pleased (and flattered) to report say “sold out” quickly. So thank very much artists (returning and new) for your loyalty and interest in my new classes!

Come paint the colors of fall with me in November!

New: Fall Weekend Denver Painting Workshops
Speaking of classes, I’ve just added two new fun November weekend painting workshops at the Curtis Art Center: Artfully Autumn/Fall Colors and Mixed Media Masterpieces. You can find more info about these painting workshops here.

Painting Exercise/Study of Goerschner landscape 6x8 oil on panel

Summer Art Reading
I read new art books all the time in the summer but I also like to revisit favorites like this week’s Oil Painting: The Workshop Experience by the late Ted Goerschner. (Usually on Amazon used for just a few dollars.)

I love art technique books with painting exercises you can practice as you read along. (How to See Color and Paint It is another good one.) These "step by step" paintings can be great warm ups or just an easy way to try a different approach. 

Today I’m sharing the 2 small landscapes I painted “along with” Ted in his book which also includes clean color and design tips as well as some valuable "before and after" critiques of student landscape paintings. And of course, Ted's high chroma light and shadow paintings are enjoyable on their own.

OK, gorgeous day for a sunny patio happy hour here in Denver but I still have some work in the studio before I can call it a day. Cheers! Enjoy your summer weekend everyone!

You Can't Steal a Gift

Student "master copy" of Edgar Payne landscape (acrylic on canvas)

“You can’t steal a gift. Bird [Charlie Parker] gave the world his music, and if you can hear it you can have it.” Dizzy Gillespie

I'm back from my beachy summer break following June's Summer Art Market. It was a super busy sunny (rain free!) successful weekend! Thanks to everyone who helped and supported me--art shows take a village! Special gratitude to my collectors for ongoing their support of SAM and the Denver art community.

Coming Soon! Fall Painting Classes and Workshops
Back in the studio I've been putting together some really interesting new fall classes and workshops which you can find on the my website. Hope to see you there!

I'm particularly thrilled to be joining the Park Hill Art Club (PHAC) as a Thursday morning painting instructor starting September 17. Thank you again PHAC for inviting me!

My student Michele working on her version of a Wolf Kahn landscape.

If you're a Denver artist and not yet a member be sure to check out this very established and active group of almost 300 artists (you don't need to live in the Park Hill area to join). PHAC offers high quality affordable classes, workshops and other painting events.

Lately several of my students have been working on "master" copies (see Anita's lovely Payne landscape posted today). So wanted to share some thoughts about why a master copies are so helpful to artist. (Along these lines have you read Steal Like an Artist yet?)

In many ways the act of creating a painting is problem solving. For an artist viewing a great painting by a master artist is visual gift. One that helps us "solve" the same puzzle we're about to tackle.

Yes, I often work from photos. But the more I work with other artists I also find that painting (copying) another painting vs. painting (copying) from a photo reference is more relevant experience. It’s “apples to apples” or more specifically it’s “paint to paint” rather than “pixels to paint.”

Here are 10 questions you may find helpful while reviewing a masterwork (or a painting you simply really love.)

1. How do you think the artist started their painting? Why?
2. What colors (and even more specifically what pigments) did they use and why?
3. What attracts and holds your eye?
4. Why do you think they painted what they did?
5. How have they created form?
6. How did they arrange their values? Is there a dominant value?
7. Where do you see hard edges? Softer edges?
8. What design elements and principles can you find?
9. Consider the paint application and brushwork--Is it heavy, thick, thin, washy?
10. What do you like best? Least? Finally what elements could you incorporate into your own painting?

Thanks everyone--Have a sunny safe summer weekend!