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| "Vines on Vine St." 8x10 oil on linen |
Shadows play an integral role in letting sunlight permeate the scene. They provide a 'setting' that compliments the sun-kissed lights. Often, shadows will have a golden tint, or even a rosy red color that conveys a unique atmospheric glow. (Watercolorist Jeanne Dobie)
That was a close one. Thankfully (and just in time) a giant box of linen canvas panels just landed on my porch from Jerry's--so no running out of panels before the end of the daily challenge! (Yes I do have several art stores close by but unfortunately none of them carry small linen panels like these.)
Now back to painting. There are a couple of color strategies going on in this little pumpkin oil study. One is overall color unity. There are many ways to achieve color unity (limited palette, mother color, etc.) but one “short cut” method is toned support.
I simply give the canvas (or paper) a quick color “wash” before blocking in my drawing/shapes. In fact, I’ve used this approach for so long it’s almost strange for me to paint on a pure white canvas.
Today, I took my overall color cue from a sunny autumn late afternoon in my neighborhood and used a warm yellow-orange wash. The second goal was have a warmer color dominance (including the shadow patterns) with only a few cool notes. Thanks again for joining me during daily challenge month—I appreciate all your visits and kind comments!
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