Challenge Day 1: A Certain Blue

"Blue River Bird" 8x10 oil@ The All Colorado Show from 9/27 to 10/31--SOLD

A certain blue enters your soul. Matisse

Day 1: Limited Palette with Dominant Primary Color

Happy September everyone! And so it begins. After some debate, I’ve chosen “COLOR” (you saw that coming didn’t you?) as my 30 in 30 theme. Obviously COLOR is an enormous, almost overwhelming, subject so I’ve decided to narrow my focus each day to a specific color plan, strategy or approach. 

Today my goal was: Color harmony as well as dominance (in this case a rich sapphire blue).  This confident little sparrow caught my eye on an early AM stroll in Breckenridge, Colorado. He was hanging out on the sunny boulders near the beautiful Blue River.

This 8x10 oil study is just three pigments and white: Ultramarine blue (warm blue), alizarin crimson (cool red), and hansa yellow light (cool-ish yellow).  My white is mostly Permalba (titanium+zinc).  That’s it. Three primaries and white. I almost always find this to be a successful color approach to little paintings.

If you’re participating in the “30 in 30” thanks for stopping by and have a fantastic month of painting. My thanks to Leslie Saeta for creating this exciting community (are there really over 700?) of daily painters. I know this will be busy but motivating and inspirational month for all us!

Day 2: Another limited three color palette. Different pigments and warmer… Stay tuned.

Part 2: The Happy Collector

"Winter Wings" 8x8 oil on linen panel

Please click here to bid 

 Collectors are happy people. (Johann Wolfgang von Goethe)
In my previous post I shared a few tips and views regarding buying art online. Here are a few more thoughts to help you get started --or enrich with your existing art collection.

Tiny Treasures
Small affordable paintings are a great way to start collecting particularly if you’re not ready to invest or have the room for a larger piece. For one, they’re much less expensive to frame. You can also display petite paintings without a frame on bookshelves, mini easels, or picture ledges that you can find at places like Ikea. 

Flip through any chic interior design magazine and you’ll often see attractive groupings of paintings.  You could arrange them by theme, artist, media, style, etc. For example, I have still life paintings in my kitchen, landscapes in my guest bedroom, etc. Here are some additional tips from HGTV about creating your own gallery wall.

Follow Your Favorites
Like many artists, I keep a close eye on artists whose work I greatly admire. For a more significant art investment, I also try to see the work in person if it’s practical at galleries, festivals, museums, their studio, etc.  If you follow an artist long enough I think you’ll feel pretty comfortable when the right painting comes along and if the price point makes sense. 

Peace of Mind
Be sure to read the art description carefully—check the size, media, etc.  If you’re not sure if the painting is original be sure to ask.  Also look for a fair return policy (most artists offer some kind of return or exchange).  Most artists enjoy talking about their work so feel free to write if you have questions. (Note if the artist has a gallery agreement they may refer you there for the final purchase.)

Finally, whether you’re buying art to enhance your home or as an investment, I absolutely believe you’ll be happiest in the long run if you acquire art you love and the best original art you can afford.

Good Things Come in Small Paintings

"Pink in the Park" 6x6 oil study
Sold-thank you!

Creativity is allowing yourself to make mistakes. 

Art is knowing which ones to keep. 

Scott Adams

There's so much to paint in the summer it's almost overwhelming. Painting smaller studies (like these 6x6 squares) remind me why “almost daily” painting can be so rewarding. Finding the time to paint every single day might just not be realistic in your world right now. But if you want to grow your artistic vision and skills, I think it’s extremely helpful to paint MORE than you are now.  Whatever that may be for you. 

I promise you’ll find this extra time at the easel beneficial in the long run. Here are three key reasons I think “almost daily” painting is a great goal for any artist who wants to improve:

"Redbud Rester" 6x6 oil study

I love the creative process but the reality is you’re not always going to have a stellar painting day.  In fact, you may have a disappointing painting day when you least expect it.

This can really catch you off guard.  But when this happens to me I have some sense of comfort and hope that a more successful painting may be just be around the corner--rather than weeks or months away.

Also, many artists at one time or another are challenged either by time or budget or both. Small-ish (under 8x10 let's say) paintings are not typically a significant time or monetary investment.  This doesn’t mean you have to use cheap materials for daily painting. On the contrary I prefer linen panels (Raymar), professional paints, decent brushes, etc.  I feel like I can "splurge" because I'm not using so many supplies at once. Plus, if you paint a "keeper" you'll be happy you used nicer materials.

With regard to time, it may take a few tries, but I find I can paint a 6x6 in under 120 minutes give or take. Check out Craig Nelson's excellent book: 60 minutes to Better Painting for more ideas regarding quick studies.

If you enjoy painting on a larger scale, smaller studies are also a wonderful way to “brainstorm” and have fun with paint. For example, in my light and shadow rose study today I tried some some "looser" dragged edges which I thought worked pretty well. Thanks DPW for featuring my little rose on the DPW Facebook page!

In the sparrow study, I tried a strong orange toned canvas to help give a sense of the warm August sunshine. Some of the orange bits work and some I'm not as crazy about. Still worth the test. 

I often compare painting to puzzle solving.  Painting more often allows to test a variety of solutions before you commit to a bigger canvas. For example, you could try different color strategies, take a new color for a test run, change your value key, experiment with your brushwork etc.  It’s also fun to do quick small abstracts and then scale them up--particularly small squares because they scale so easily. Happy summer painting everyone!

Fine Feathers

"Fine Feathers" 8x8 oil on linen panel

Happy May everyone! I think one of the hardest tasks any busy artist has is prioritization. I'm taking a quick break from painting and getting ready for the upcoming Summer Art Market in just a few weeks on the weekend of June 9 and June 10 to post this new bird painting.

If you've prepared for a show or festival you know there's a lot of work that goes on behind the scenes in addition to painting--such as event paperwork, getting your tent ready, ordering post cards (love Vistaprint for those), etc. In other words, many tasks that tempt you outside of your main goal which is creating art.

Lately I've been trying some new colors on my palette. In this little bird oil painting it's Old Holland Caribbean Blue--which is a wonderful and not very common blue-green thalo turquoise pigment (PB16 for my fellow pigment enthusiasts).

Thanks for stopping by--be sure to check out the Scarlet Owl Pinterest boards for more art inspiration. I look forward to seeing you all at the Summer Art Market and for all my fellow artists in the show I hope you all have a super successful sunny show this year!

My New Favorite Painting Tool

AM Sparrow-6x6 oil on panel

Happy May everyone! Posting another small oil painting bird painting that will be headed to the Summer Art Market in June. (I've recently added a new bird feeder to the front garden and am hoping that will attract some new models.)

I'm a big believer in taking the time upfront to work out any major compositional and layout issues in your work before the brush hits the canvas so last week, while reading Artist's Magazine, I spotted a cool tool that I just had to get. It's called the Compose It Grid--it's an easy to use plastic grid that allows you to transfer your planning sketch to your canvas.

Here's a demonstration video so you can see the Compose it Grid in action. I only used it a few times, but I already love it for still life composition. Remember the ratio needs to match your canvas size. Personally, I bought the square ratio (1:1) since it's my favorite format as well as the 8 x 10 ratio. Plus, I love that the Grid is heavy duty and will stand up to be tossed in an art tote, etc. for classes and workshops.  

Quick shout out to my upcoming art festival booth partner the very talented Ms. Heather Carr--if you like wildlife paintings as well as fantasy art and illustration so be sure to stop by. Her detailed illustrations are simply amazing. Thanks Heather for all your generous help, am thrilled to be sharing a tent with you this year! Look for us in Booth 80 on the corner of 2nd and Sherman. In the meantime, have a great spring week!

Springy Sparrow

Happy Weekend everyone! Last last April I posted a small oil painting of a sparrow from a photo that I took out my kitchen window. It was one of my personal favorite oils so I thought I'd work another one this week but work in a different color family.

Speaking of birds, I saw that it's also "Great Backyard Bird Count" this weekend. This is an annual bird watching event that allows anyone to be an ornithologist and record their local birds. Unfortunately this week, I've only had three at the feeder outside my studio this week: a sparrow, chickadee, and a house finch.

Back to my painting, for this 8 x10 oil study my "self assignment" was three fold: 

1. Pay attention to (and accurately record) smaller shifts in color and temperature 
2. Capture the way birds seem to melt into their background with varied brushwork
3. Maintain strong overall diagonal design plan 

Since I tend to paint "from the gut" many days and this usually works for me, I still find having 1-3 painting goals like this really help keep me on track as evaluate the subject vs. the painting. Later today I'm headed to a near by Wild Oats for a demo about painting from your photos by local artist David Griffin which I'm looking forward to. (You have to love free demos but the pastry/coffee bar area gets me every time...)

Finally, I've added a Student Work page tab at the top where I'll be positing some of their work for inspiration and ideas. Thanks for stopping by and happy bird watching!

April Sparrow

 

April Sparrow, 8x8, oil painting on canvas panel.

I had such a fantastic time painting a sparrow yesterday that I'd thought I'd do another but this time challenging myself to change the composition (to a square), keep a higher and warmer key, use Gamblin's "environmentally friendly" Torrit Gray, and switch to a new (and better) brush cleaning method (baby wipes as recommended by oil painter Kevin MacPherson.)  I thought that was enough for one afternoon.

I did a much more careful drawing (I think of it more as a design or organization of shapes) than I normally would, but I find that helps for then in turn having more freedom with the colors. As I tell my students, when you paint think values, shapes, then color--even if that's what really inspired you in the first place.

Next week I'm hoping to branch out (no pun intended) to some other birds. I'm determined to take as many of my own photo references as possible to work on this series, so I'm planning to head up to Barr Lake State Park in Brighton where hopefully I'll find some willing feathered models.  I see the Barr Lake Bird List is quite extensive! And I also see where our Denver Zoo has some special days where you can arrive early just to take photos. 

While I'm not a very strong photographer, I think this would be great way to get some wildlife photo references, which is never easy living in the city as I do. Also, if you enjoy animal oil paintings be sure to check out Maryland artist Mark Adams work. His cats are wonderful and I love his oysters too!

As always, thanks for visiting! Please don't hesitate to email me if you have any questions about my art, private classes, or Monday group workshop which starts on Monday, May 3.

Firethorn Sparrow

Bon jour everyone! I hope everyone is having a great spring week! As many of you know I've always painted (for better or for worse) in a variety of styles, but if I could paint in just one style for the rest of my life it would be abstracted nature. The other day I was struck by the interesting pattern of this little fluffed up sparrow perched on my thorny and unruly pyracantha (fire thorn) bush and took a quick reference photo out the window.

The small birds love it but it has taken over our side yard and I fear it may be it's last spring as we look to do some fresh landscaping. I knew it would be an interesting challenge to paint the red and greens as well as the abstract pattern of the leaves in shadow and sunlight.

I almost always mix my greens, oranges, and violets but here I decided to add a green to my palette for additional color mixing challenge. I chose Gamblin's Viridian--a beautiful cool (bluish) green a more controllable than Pthalo Green. I had a wonderful mixing a range of cool and warm greens here.

Before I go, quick welcome to all my summer students--it's great to have you and I look forward to painting with you throughout in my favorite season. For more information about my summer painting classes and "Colorful Connection" Monday group workshop please visit my Classes & Workshop Page.